Many of us have been saying it for years : “The BBC is not what it used to be.”

The reasons are many but one stands out. As London has gradually separated off from the views and values of the rest of the nation, so the Beeb has followed suit.

The once proud Corporation is now generally seen as run by a cadre of “metrosexual Guardianistas” — after the clunkingly leftist newspaper. The joke is that they are all balding 39-year-olds called Tristram. Not true, of course, but it strikes a real chord.

In fact, the Beeb is the biggest pensioner in the land, receiving around $6 billion (£3bn) in benefits every year in the form of the licence fee. This licence is levied on everyone in the country who watches television of any sort — even if they never sample the dubious delights of the BBC itself.

The Corporation is now so bloated and privileged — think of the International Olympics Committee where the President is addressed as Your Excellency — that it’s almost impossible to manage or control, especially by the small-beer programme-makers drafted in to do the job.

Today, we hear that the police may be called in to investigate alleged widespread fraud and misrepresentation.

The last Chairman, Michael Grade, a man of some stature in broadcasting, left suddenly to head up ITV, the Beeb’s main rival. Did he sense the disaster waiting to happen?

The previous top management was effectively decapitated by a rogue Government spin doctor for telling the truth about Iraq intelligence. So the Beeb is penalized both for telling the truth and for falsifying it. The lesson is that Government makes a poor bedfellow for any media organization priding itself on its integrity.

After the fiasco over the false allegations about the Queen, in which footage of a photoshoot with American photographer, Annie Leibovitz, was shown in the wrong order to make it look as if the Queen was storming out of the session when, in fact, she was coming in, the BBC has all but collapsed.

Its shaky amalgam of internal bureaucrats and outside production companies has been shown to be grossly inadequate. The once rigorous ethos and in-house training regimes have been largely abandoned in favour of roving freelance operatives who work on short-term contracts for every other broadcaster.

The oddly named BBC Trust has ordered an immediate suspension of all phone-in and interactive competitions after an internal investigation uncovered a string of editorial breaches. They include the flagship charity shows, Children In Need, Comic Relief and Sports Relief.

BBC Director General Mark Thompson (pictured) presented the findings of an internal audit to the Trust yesterday.

The Trust said it was “deeply concerned that significant failures of control and compliance within the BBC, and in some cases by its suppliers, have compromised the BBC’s values of accuracy and honesty.

“The Director General’s interim report to the Trust about additional editorial failings shows further deeply disappointing evidence of insufficient understanding amongst certain staff of the standards of accuracy and honesty expected, and inadequate editorial controls to ensure compliance with those standards.”

The recent debacle over the trailer for a documentary series about the Queen was just one example of many editorial breaches. It has also emerged that RDF Media, which made the series, used the same footage at a festival in Cannes, France, earlier in the year.

It’s now known that the BBC put fake winners on air during phone-in competitions for Children In Need, Comic Relief, Sport Relief and other programmes. It was fined $100,000 (£50,000) only last week for a similar event on the once much-loved children’s show, Blue Peter.

No word yet, though on sackings or resignations of senior BBC personnel, but after this catalogue of woes, it seems almost inevitable. At the least, Mark Thompson, the DG, and Peter Fincham, Controller of BBC1, should be participants in the head-rolling reality show.

Let’s hope they don’t have a phone-in competition for that.